Sandra Bullock’s box office take over the last five years is as good or better than most male leads. The same can be said of Melissa McCarthy, who also has the attention of about 10 million viewers a week on Mike and Molly when she’s not on the big screen. Both of them have been integral to the marketing and promotion of their films, so it’s clearly not that moviegoers won’t watch a blockbuster with a woman in the lead.
But in very specific terms, Gravity was marketed as a co-headlining movie from Bullock and George Clooney, but anyone who saw it knows that it was Bullock’s film. Clooney was perceived as being necessary to market the movie in spite of the fact that since 2008, his movies have generated about $634 million total at the domestic box office, compared to Bullock’s $891 million. During that time, Clooney made nine films to Bullock’s six, meaning that the per-film average is even more heavily skewed in Bullock’s favor.
During that time, the total budget for Clooney’s films came to a minimum of $307 million and the budget for Bullocks clocked in at $214 million. That means that for every dollar spent producing a George Clooney film, the studio saw $2.07 back. That isn’t half bad, really. You know what it is half of? The $4.15 they saw on every Sandra Bullock dollar they spent during the same five-year period. Each of them had a couple of low-budget indie films and a couple of failures during the five-year period, but Clooney–the name Warner Bros. was convinced was necessary to promote the film–averaged just over $70 million per film during that period while Bullock averaged upwards of $148 million.”
the hunger games aren’t amazingly unique or flawless or anything but I think katniss as a character is very important and i think the media misunderstands
we aren’t in it for the cute boys. we’re in it for katniss. thousands of young girls were introduced to an introverted, angry girl born into poverty and watched her become the savior of the world and the media doesn’t seem to understand that she, as a character, is important to girls. not who she dates, but her
The feminist movement is generally periodized into the so-called first, second and third waves of feminism. In the United States, the first wave is characterized by the suffragette movement; the second wave is characterized by the formation of the National Organization for Women, abortion rights politics, and the fight for the Equal Rights Amendments. Suddenly, during the third wave of feminism, women of colour make an appearance to transform feminism into a multicultural movement.
This periodization situates white middle-class women as the central historical agents to which women of colour attach themselves. However, if we were to recognize the agency of indigenous women in an account of feminist history, we might begin with 1492 when Native women collectively resisted colonization. This would allow us to see that there are multiple feminist histories emerging from multiple communities of colour which intersect at points and diverge in others. This would not negate the contributions made by white feminists, but would de-center them from our historicizing and analysis.
Indigenous feminism thus centers anti-colonial practice within its organizing. This is critical today when you have mainstream feminist groups supporting, for example, the US bombing of Afghanistan with the claim that this bombing will free women from the Taliban (apparently bombing women somehow liberates them).”